On Me began with a simple idea: capturing an intimate moment between two people against the backdrop of Abuja’s skyline. Rather than relying on elaborate storytelling, I wanted to explore the beauty of presence—two wine glasses, a shared conversation, and a man expressing affection through music while preserving a memory with the woman he loves. […]
On Me began with a simple idea: capturing an intimate moment between two people against the backdrop of Abuja’s skyline. Rather than relying on elaborate storytelling, I wanted to explore the beauty of presence—two wine glasses, a shared conversation, and a man expressing affection through music while preserving a memory with the woman he loves.
The visual language was intentionally minimal. The black and white styling represents timelessness, allowing the emotions to exist beyond a specific place or period. Red became the visual accent throughout the project, drawing inspiration from the symbolism of a red rose—love, passion, vulnerability, and devotion. This connection extends into the promotional artwork, where the rose emerges through torn paper, suggesting that genuine emotion has the power to break through emotional barriers.
Abuja itself became more than a location; it serves as a quiet witness to the story. The cityscape provides scale and calmness, contrasting with the intimacy unfolding between the couple. I wanted the audience to feel as though they were observing an authentic memory rather than watching a staged performance.
Ultimately, On Me is a celebration of love expressed through simplicity. It is about finding meaning in ordinary moments and showing that sometimes the strongest stories are told through silence, atmosphere, and genuine human connection.
